Extraordinary illustrated book of hours with miniatures and initials,
latin and dutch manuscript on vellum
Flanders, probably Bruges, 1438 A.D.
You bid on an extraordinary illustrated book of hours made in Flanders, 1438.
The book of hours is decorated with several wonderful miniatures and initials as well as some borders. It contans a calendar, a table for determining Easter in the years 1438 till 1458, notes for the determining of advent and church feasts. Also contained are weekday hous and votive masses: Sunday of the Trinity, Monday of the Dead, Tuesday of the Holy Spirit, Wednesday of All Saints, Thursday of the Holy Sacrament, Friday of the Cross, Saturday of the Virgin, Mass of Our Lady, Hours of the Virgin, etc.
Both the volume's construction and its style of illumination are consistent with conventions of book production in Bruges in the second quarter of the 15th century. Large miniatures on inserted single leaves face large initials, forming double-pages openings with matching full-page borders.
The bright, appealing palette adopted in the miniatures is echoed in the reddish oranges, blues, pinks and bright greens found in the border foliage. A further link to the decorative forms in the borders is provided by the illuminator's appealing way of enlivening grassy grounds with symmetrically fronded plants in green and yellow.
His miniature compositions often follow established designs by the Masters of the Gold Scrolls, active in Bruges from 1420-1450, as seen in the Agony in the Garden with its emphatically enclosing fence. Although the decorative backgrounds that gave the Masters their name are also a feature of these miniatures, the elongated figures with their tubular draperies are less typical and seem more closely related to the style associated with Claes Brouwer, the illuminater who apparently moved from Utrecht to Bruges in the 1430s.
The Easter table allows this manuscript to be dated to 1438 or soon afterwards, making it one of the few datable examples of Bruges illumination in the first half of the century. With its vivid colouring and simplified compositions, it has an engagingly direct appeal, seen most endearingly in the miniature of the Descent of the Holy Spirit, shown hurtling down towards a reassuringly large floor cushion held by angels. Bruges book producers were geared to the export market and this hours may have been intended for someone outside the town, who wanted a particularly extensive sequence of devortions and a lavish cycle of miniatures.
Condition: Cover
minmal stains
Condition: Paper
good vellum quality, good gold preservation
now and then minimal stains, fingerstains
miniatures with occasional smudging, darkening of vellum or staining
miniatures partly rubbed, occasionally also some loss of colours